7/9 Homelands: Native North America
Homelands: Native North America
Today we look at some of the complex history of Turtle Island (North America - attrib. Lenape) and traditional and contemporary dance practices
Above: Choreography by Tanya Lukin Linklater at Crystal Bridges Museum of American Art
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Warmup
Land Acknowledgement:
[We] acknowledge that we stand on the land of the Tequesta, Calusa, Miccosukee and Seminole peoples. We stand in solidarity with them and we honor and respect the ancestors, elders and descendants of these tribes.
Dignity Practice (Miakoda Taylor)
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Natasha Oda, Miss Aloha Hula 2001
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Student Presentation: Distant History
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History
America B.C.
0:00 - 6:18 Introduction & Creation Stories
Beringia Land Bridge Theory
12:24 - 20:48 Ocean Arrival
28:00 - 32:00 Language
Question: What event or cultural feature stood out to you from the video?
Tribal Nations Map (Carapella 2013)
Native American History Timeline
Activity
& Question: With a partner, look through your assigned section of
the timeline. What is an event that stands out to you or you think is
pivotal?
Question: What 'creation myths' do we find embedded in the dominant historical perspective?
Native
dance, in association with religious and cultural practice, was made
'illegal' under U.S. law. This was not officially repealed until the
American Indian Religious Freedom Act, 1978.
Question:
Imagine a time or place where dance was declared illegal. What impact
would that have on you, your community, and the form?
Seminole History
Seminole Tribe of Florida History
"The only treaty I will ever execute will be this!"
Chief Osceola
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Native Choreographers & Dancers
Tanya Lukin Linklater (Alutiiq)
Reading:
Gathering From Within: Indigenous Nationhood and Tanya Lukin Linklater's Woman and Water (Shea-Murphy 2010)
Supaman
DJ Shub
Question:
What impressions do you get from this last video by DJ Shub? How does
setting, clothing, and lighting factor into this?
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Dance Practice
Score of Home
or
Friendship
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Closing
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Additional Resources
Decolonizing Methodologies (Tuhiwai-Smith 2012)
Gesturing Indigenous Futurities Through the Remix (Recollet 2016)
What Does Cultural Appropriation Really Mean? (New York Times 2022)
Oral History of Seminole Tribe (Willy Johns)
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